The aspect of The Cow that intrigued me the most was Hassan’s
transformation from himself to the cow. Initially, he is the only man in the
village who owns the only cow that provides milk for the villagers. Because of
this, he holds a pretty high status within the community and most people want
to stay on his good side. When his cow is tormented by some kids near the
beginning of the movie, several men are quick to scold the children and show
Hassan that they value his contribution to the town. When Hassan’s wife mourns in
the center of the village, people come from all over to console her, without
even initially knowing why she’s screaming, because she shares Hassan’s high
status. They find out that the cow has been killed, so immediately their first
matter of business is figuring out a way to protect Hassan. Even though they
decide on lying to him, they do so with Hassan’s feelings in mind, which shows
their dedication and friendship towards him. However, once Hassan transforms
into the cow, that dedication and friendship go out the window, partly out of
necessity. They do try repeatedly to console him, but they have to tie him like
a calf, whip him, and generally treat him like an animal because he won’t (can’t?)
act like a human.
This
transformation is obviously interesting because of how intensely Hassan acts
like and becomes an animal, but it also intrigues me because I’ve never really
studied metempsychosis. From what I read in Dabashi’s article, it sounds like
metempsychosis is the complete transfer of a soul into another body. To me,
that sounds like reincarnation, so I was intrigued by how the cow’s soul
completely overtook Hassan’s, and wasn’t just a secondary soul living in his
body that occasionally surfaced. I was also intrigued by the villagers’ reactions
to Hassan’s transformation because I’d like to think that I would act
differently and with a bit more compassion, but I doubt I could follow through
with that very long. Overall, though, Dabashi's article generally did resonate with my reading of the film.
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