While watching Turtles
Can Fly, I couldn’t help but compare it to Kandahar. In both films, there are scenes that highlight the life
of the children and the obstacles that they are taught to avoid, such as the
landmines. Of course, Turtles Can Fly
showed their lives a little bit more that in Kandahar, but the ideas are both there. I really like that Turtles Can Fly showed the scene where
Satellite’s leg was blown by the landmine. It’s so important for we, as
Americans from the United States, to see things like that to better understand
what these people face in their daily lives. I believe that the children were
living in a refugee camp on the border of Iraq and Turkey, and we could see
that they didn’t really have much adult supervision and had to face trials on
their own. These kids were around 13 or 14 years old I would guess, but they
were forced to behave like full-grown adults, something that Americans like us tend
to view as sad, and I felt sorry for them. I also felt a sense of gratitude
that I have been lucky enough to have been born and raised in such a country as
this, where we, for the most part, have people to look out for us and don’t
have to worry about landmines exploding on us.
I very much
liked that the filmmaker utilized a hand held camera. It provided a sense of
reality and made it easier for me to believe what I was seeing and to know that
people actually deal with these problems every day. I also responded very much
to the invasion scene, where the boy lost his arms and the girl was gang raped.
Such a tough scene, but such an important part to show and I think it was a
good move to show it.
My question
is, why is it called Turtles Can Fly?
Ally, I agree with your comment about the children, both in Turtles Can Fly and Kandahar. The children played a big part in each movie and as a result, I think it made the viewer feel more deeply towards the events in the movie. Like you said, it is important to see how children are affected by a country’s choice to go to war. I automatically think of the soldiers, not necessarily the civilians and children who are being caught in the crossfire.
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